Areas of Study

Printmaking

Program Description

In-process woodcut surrounded by wood shavings and carving tools.
View of the printmaking studio showing two lithography presses and a large French press.
A student placing a paper on a lithography plate.
Faculty members looking and pointing at an in-process silkscreen and lithography print.
An exposed silkscreen with an illustration of a mother reading to her two daughters.
A student, professor, and two young children lifting a screen off of a screenprint depicting a mother with her two daughters.
View of the letterpress section of the printmaking studio with many drawers filled with lead and wooden type.
Visiting artist, April Vollmer, carving a woodcut.
A hand pointing to a Pantone color guide over a silkscreen and lithograph print of a mother reading to her two daughters
An artist lifts up a layer of acetate off of a print to check registration.

Printmaking is as much a mindset as it is a collection of media and techniques. Whether your passions lie in mark-making, story-telling, changing culture, figuration, abstraction (or any combination thereof) printmaking offers equal opportunity empowerment.

By delivering marks to surfaces like paper or fabric with the help of a mediating element (e.g., a plate, screen, digital file, or block of hand-set type), print offers opportunities to create in a non-pressurized manner that encourages risk taking. Students develop and hone technical skills, material sensibilities, and a formal understanding of the history of print as both a fine art form and an important vehicle for vernacular culture, social dissent, and cultural identity. Printmaking lets you put words and images into the world to educate, protest, and effect positive change.

Our department embraces new technology while stewarding time-tested technologies that are just as, or even more, relevant today than when first invented. You may find the expansiveness of intermediary space lets you breathe, experiment, and ultimately yields both one-of-a-kind works and the capacity to iterate as images and ideas develop.

Majors graduate equipped with the technical and professional practice skills needed to generate, promote, and distribute their work. Students develop the means of making work wherever they are and regardless of access to specialized equipment. You might decide to create your own unique or editioned prints, develop a collaborative and/or civically engaged practice, or use your knack for communal creativity in a way that is uniquely yours. Wherever your path leads, you will be connected to a network of community partners, alumni, and artists eager to help with internships, employment, exhibitions, and special projects.

Life After Graduation
  1. Director of Pickwick Independent Press, a communal printshop, and adjunct professor of printmaking
  2. Apprentice to the Master Printer, Tamarind Lithography, and graduate of Tamarind Printer Training Program
  3. Mural painter and founder of Tachee clothing and houseware design company, with gallery representation for paintings and quilts
  4. Founder and proprietor of District Batch, body care products company, retailing online and through WholeFoods
  5. Psychiatric Nurse Practitioner specializing in ADHD
  6. Proprietor of Saudade, serial popups specializing in floral arrangements and botanical monotypes
  7. Artist, Designer, Strategist, [former] Director of Community Learning, Artists Communities Alliance
  8. MFA in Printmaking, now working for Jim Henson studios (redesigned Ernie & Bert’s sneakers), as well as making custom sneakers and running transgender clothing line
  9. Elementary school art teacher

Gallery

Program & Outcomes

Faculty

Printmaking Faculty

Sample Courses

  • PR 201 Intaglio Printmaking
  • PR 204 (PE) Liberation Graphics
  • PR 213 (AE) Selling Out: Making Money Marketing Multiples
  • PR 225 (AE + PE) Be Fruitful and Multiple: The Well-Fed Artist
  • PR 240 The Book as Visual Object

Workspace & Tools

Students learn and utilize screen printing; relief methods such as woodcut and linoleum; stone and plate lithography; intaglio processes such as etching, drypoint, and mezzotint; photo and digital print processes; laser-cutting; CNC routing and drawing; and 3D printing.

Learning Outcomes

Students will:

  1. Create with technical proficiency in a broad range of print techniques and executes studio works with material integrity and visual coherence.
  2. Employ a range of materials and media to construct the print matrix, and understands the capabilities in terms of surface, texture, depth, and graphic range.
  3. Exploit the print matrix in purposeful experimentation of the multiple form to create visual and conceptual hierarchies, including variation, permutation, theme, series, and sequence.
  4. Rethink and expand drawing practices and question formal habits or preconceptions about making images, and draw conceptual inferences from formal or technical decisions.
  5. Explore a range of strategies and forms of presentation, dissemination and alternative delivery for printed matter.
  6. Integrate forms, strategies and techniques from other disciplines into studio practice, including sampled imagery, digital and photographic media.
  7. Articulate printmaking vocabulary and formal language to critically discuss and interpret studio works within contemporary and historical printmaking.
  8. Employ methods of inquiry for art making, including writing and research, and articulates artistic influences and relationships to historical and contemporary printmaking.
  9. Work in a variety of collaborative situations and contexts and explores the social dimension of printed matter.
  10. Demonstrate professional practices within the field of printmaking.

Course of Study

Foundation Year
Fall
  • FN 101 Digital Imaging
  • FN 109 3D: Materiality
  • FN 113 Two-Dimensional Design
  • Studio Elective
  • EN 100 English Composition
  • SEM 100 First Year Seminar
Spring
  • DR 100 Introduction to Drawing
  • FN 110 4D: Space & Temporality
  • FN 108 Research & Inquiry – Studio
  • SEM 108 Research & Inquiry – Academic
  • AH 101 Art History Survey I
Sophomore
  • Fall
  • PR 100 Intro to Printmaking Techniques
  • Approved Studio Elective
  • Studio Elective (Student Choice)
  • AH 102 Art History Survey II
  • Academic Elective
Spring
  • PR 351 Introduction to the Discipline
  • Approved Studio Elective
  • Studio Elective (Student Choice)
  • AH 250 Critical Approaches to Contemporary Art
  • Academic Elective
Junior
Fall
  • PR 301 Printmaking Majors Studio
  • SEM 353 Junior Seminar – Fine Art Topics & Practice
  • Approved Studio Elective
  • Art History Elective
  • Academic Elective
Spring
  • PR 302 Printmaking Majors Studio
  • Approved Studio Elective
  • Studio Elective (Student Choice)
  • Art History Elective
  • Academic Elective
Senior
Fall
  • PR 401 Printmaking Majors Studio
  • SEM 451 Professional Studio – Fine Arts
  • Approved Studio Elective
  • 2 Academic Electives
Spring
  • PR 402 Printmaking Majors Studio
  • SEM 452 Senior Synthesis
  • Approved Studio Elective
  • 2 Academic Electives

Course Catalog Listing

View Printmaking Courses